James Gillray, Plate III from „The Rake’s Progress at University“, 1732.
Important information for prospective BA and MA students:
Keep in mind that you do not only choose a supervisor but the supervisor also chooses you.
If at all possible, you may want to reflect on how much you have invested in the courses taught by your potential supervisor: ask yourself whether you contributed to each class to the extent that your intellectual presence in class was vital to the healthy dynamics of the seminar; were you the one whose absence in class meant that the seminar will be a struggle rather than an intellectual experience which makes it worth the effort; or was your class presence passive and only assumed the form of an observer?
Take the time to arrange a meeting with your potential supervisor. Discuss your project and its feasibility and find out if they have an interest in your topic.
A potential BA supervisor will make their final decision once your term papers have been assessed (June 23rd/25th). Your term paper must be awarded a positive grade (at least a 5 on a 10 point scale); otherwise, you will be advised to write your BA paper in Linguistics or Stylistics.
MA papers 2017
The Art of Mourning: Verbal Pentimento in Donna Tartt’s The Goldfinch
BA papers 2017
The Thing on the String: The Art of Theft in John Banville’s The Blue Guitar
BA papers 2016
Surfaces and Depths: The Geography of the Artistic Consciousness in Gerald Murnane’s Novel The Plains
The Poetics of the Miniature in Jessie Burton’s Novel The Miniaturist
The Myth of an Artist: Anne Carson’s Autobiography of Red
Public and Private Memory in Waltz with Bashir: A Lebanon War Story by Ari Folman and David Polansky
BA papers 2015
The Dionysian and the Orphean: Jim Morrison’s Poetic Ventures
Art and Authenticity in Tom McCarthy’s Men in Space
Shakespeare Subverted: World as Carnival in Terry Pratchett’s Wyrd Sisters
BA defence preliminary schedule:
MA defence preliminary date: