{"id":2,"date":"2009-06-22T13:36:13","date_gmt":"2009-06-22T10:36:13","guid":{"rendered":""},"modified":"2026-03-05T13:04:28","modified_gmt":"2026-03-05T10:04:28","slug":"apie","status":"publish","type":"page","link":"http:\/\/web.vu.lt\/flf\/r.slapkauskaite\/apie\/","title":{"rendered":"About &#8211; Research Profile"},"content":{"rendered":"<p><a href=\"http:\/\/web.vu.lt\/flf\/r.slapkauskaite\/files\/2009\/06\/ROM_Anishinabe-exhibit-e1498966467988.jpg\" rel=\"attachment wp-att-735\"><img loading=\"lazy\" class=\"alignnone size-medium wp-image-735\" src=\"http:\/\/web.vu.lt\/flf\/r.slapkauskaite\/files\/2009\/06\/ROM_Anishinabe-exhibit-e1498966467988-169x300.jpg\" alt=\"ROM_Anishinabe exhibit\" width=\"169\" height=\"300\" srcset=\"http:\/\/web.vu.lt\/flf\/r.slapkauskaite\/files\/2009\/06\/ROM_Anishinabe-exhibit-e1498966467988-169x300.jpg 169w, http:\/\/web.vu.lt\/flf\/r.slapkauskaite\/files\/2009\/06\/ROM_Anishinabe-exhibit-e1498966467988-768x1365.jpg 768w, http:\/\/web.vu.lt\/flf\/r.slapkauskaite\/files\/2009\/06\/ROM_Anishinabe-exhibit-e1498966467988-576x1024.jpg 576w\" sizes=\"(max-width: 169px) 100vw, 169px\" \/><\/a><\/p>\n<p>Associate Professor, PhD<\/p>\n<p>E-mail: <a href=\"mailto:ruta.slapkauskaite@flf.vu.lt\">ruta.slapkauskaite@flf.vu.lt<\/a><\/p>\n<p>MotherNet Twinning Project: #MotherNetPersonal webpage:\u00a0<a href=\"https:\/\/rutowl.wordpress.com\">https:\/\/rutowl.wordpress.com<\/a><\/p>\n<p><strong><i>Outside of a dog, a book is man&#8217;s best friend. Inside of a dog it&#8217;s too dark to read. <\/i>(Groucho Marx)<\/strong><\/p>\n<p><strong>Research interests (in no particular order):<\/strong><\/p>\n<p>Literatures in English: Canadian, Antipodean (i.e. Australian, Tasmanian, and New Zealand), British, Irish, American<\/p>\n<p>Ecocriticism and Environmental Humanities<\/p>\n<p>Imagetexts\/Iconotexts<\/p>\n<p>Neo-Victorian literature and culture<\/p>\n<p>Toys, dolls, machines, and literary practices<\/p>\n<p><strong>Membership in Associations<\/strong>: <strong>ESSE<\/strong> (European Association for the Study of English), <strong>CAPS<\/strong> (Canadian Association for Postcolonial Studies), <strong>CEACS<\/strong> (Central European Association for Canadian Studies), TransCanadian Networks (Spain)<\/p>\n<p><strong>Centre for Canadian Studies, Stockholm University<\/strong>: board member<\/p>\n<p><strong>Some of my publications:<\/strong><\/p>\n<p style=\"font-weight: 400\">\u0160lapkauskait\u0117, R. 2025. Maternal Inclination and the Politics of Immunity in Emma Donoghue\u2019s The Pull of the Stars. In Lazzari, L. and Po DeLisle, G. (eds.), <em>Unmasking (New) Maternal Realities: Pregnancy, Childbirth, Postpartum in Global Literature, Cinema, and Media<\/em>. London and New York: Springer Nature.<\/p>\n<p style=\"font-weight: 400\">\u0160lapkauskait\u0117, R. 2024. Mothering the Anthropocene: Entropic Satire in Richard Flanagan\u2019s <em>The Living Sea of Waking Dreams<\/em>. In Guttman, A. and Austen, V. J. (eds.), <em>Ruptured Commons<\/em>, pp. 182-203. Amsterdam and Philadelphia: John Benjamins Publishing Company.<\/p>\n<p>\u0160lapkauskait\u0117, R. 2023. Eco-Memory and the Anthropocene Imagination: Ed O\u2019Loughlin\u2019s <em>Minds of Winter<\/em>. In: B\u00e9dard-Goulet, S. &amp; Premat, C. (eds.), <em>Nordic and Baltic Perspectives in Canadian Studies: An Interdisciplinary<\/em> <em>Approach to Northern Spaces Narratives<\/em>, pp. 165\u2013192. Stockholm University Press.\u00a0DOI: https:\/\/doi.org\/10.16993\/bci.f. License: CC BY.<\/p>\n<p>\u0160lapkauskait\u0117, R. 2023. \u201c<em>Pro Pele Cutem<\/em>: On the Subject(s) of Extraction in Fred Stenson\u2019s <em>The Trade<\/em>\u201d. <em>Canadian Literature. Poetics and Extraction,<\/em> No. 251, pp.13-34.<\/p>\n<p>\u0160lapkauskait\u0117, R. 2023. \u201cWaking the Witness and Witnessing the Wake in David Dabydeen\u2019s <em>Turner.<\/em>\u201d In <em>The Hook of Desire \u2013 Slavery and David Dabydeen\u2019s <\/em>Turner edited by Lynne Macedo. Hertford: Hansib Publications, pp. 213-237.<\/p>\n<p>\u0160lapkauskait\u0117, R. 2022. \u201cAn Ecology of the Hewn in Susan Vreeland\u2019s <em>The Forest Lover<\/em>.\u201d In <em>The Northern Forest <\/em>edited by Sara B\u00e9dard-Goulet and Daniel Chartier. Tartu and Montr\u00e9al: University of Tartu Press and Imaginaire Nord.<\/p>\n<p>\u0160lapkauskait\u0117, R.\u00a0<span lang=\"EN-GB\">2021.<\/span><span lang=\"EN-GB\">\u201c<\/span><a href=\"https:\/\/www.academia.edu\/56719605\/The_He_A_rt_of_the_Witness_Remembering_Australian_Prisoners_of_War_in_Richard_Flanagan_s_The_Narrow_Road_to_the_Deep_North_\">The He(A)rt of the Witness: Remembering Australian Prisoners of War in Richard Flanagan\u2019s <i>The Narrow Road to the Deep North<\/i>\u201e<\/a><span lang=\"EN-GB\">.\u00a0<\/span>In\u00a0<i>Anglica: An International Journal of English Studies<\/i>,\u00a0<span lang=\"EN-GB\">30<\/span>\/3, p.<span lang=\"EN-GB\">\u00a0<\/span><span lang=\"EN-GB\">141<\/span>&#8211;<span lang=\"EN-GB\">161<\/span>.<\/p>\n<p>\u0160lapkauskait\u0117, R. 2020. \u201eGhost, host, hostage: a poet(h)ics of vulnerability in Emma Donoghue\u2019s <em>The Wonder.<\/em>\u201d<em>The European Journal of English Studies,\u00a0<\/em>24:3, p. 241-254. <a href=\"https:\/\/doi.org\/10.1080\/13825577.2020.1876611\">https:\/\/doi.org\/10.1080\/13825577.2020.1876611<\/a><\/p>\n<p>\u0160lapkauskait\u0117, R. 2020. \u201eImperial (S)Kin: The Orthography of the Wake in Esi Edugyan&#8217;s <em>Washington Black<\/em>.\u201c <em>Studia Anglica Posnaniensia<\/em>\u00a0Vol. 55, No. 2, De Gruyter\/Sciendo.\u00a0\u00a0<a href=\"https:\/\/repozytorium.amu.edu.pl\/bitstream\/10593\/26124\/1\/SAP%2055s2%20%282020%29%2023%20%C5%A0lapkauskait%C4%97.pdf\">https:\/\/repozytorium.amu.edu.pl\/bitstream\/10593\/26124\/1\/SAP%2055s2%20%282020%29%2023%20\u0160lapkauskait\u0117.pdf<\/a><\/p>\n<p>\u0160lapkauskait\u0117, R. 2020. \u201ePrecariousness, kinship, and care: Becoming human in Claire Cameron&#8217;s <em>The Last Neanderthal<\/em>&#8216;\u201c. <em>The Journal of Commonwealth Literature<\/em>, Sage.\u00a0<a href=\"https:\/\/doi.org\/10.1177\/0021989420967984\">https:\/\/doi.org\/10.1177\/0021989420967984<\/a><\/p>\n<p>\u0160lapkauskait\u0117, R. 2019. \u201e<a href=\"https:\/\/www.zurnalai.vu.lt\/literatura\/article\/view\/16147\">Out of the Closet, into the World: The Power of Puppets in Jessie Burton\u2019s <em>The Miniaturist<\/em>.\u201c <em>Literat\u016bra,<\/em> 61(4).<\/a><\/p>\n<p>\u0160lapkauskait\u0117, R. 2019. \u201eAn Arc of Itinerant Tropes: Beyond Kin and Kind in Andre Alexis&#8217; <em>Fifteen Dogs<\/em>. Eds. Maria and Martin Loschnigg,\u00a0<em>The Anglo-Canadian Novel in the Twenty-first Century: Interpretations<\/em>. Heidelberg: Universitatsverlag Winter, p. 11-19. <a href=\"https:\/\/www.amazon.com\/Anglo-Canadian-Novel-Twenty-First-Century-Interpretations\/dp\/3825346404\/ref=sr_1_fkmr1_1?keywords=The+Anglo-Canadian+Novel+in+the+Twenty-first+Century%3A+Interpretations.+Heidelberg%3A+Universitatsverlag+Winter&amp;qid=1580932439&amp;sr=8-1-fkmr1\">https:\/\/www.amazon.com\/Anglo-Canadian-Novel-Twenty-First-Century-Interpretations\/dp\/3825346404\/ref=sr_1_fkmr1_1?keywords=The+Anglo-Canadian+Novel+in+the+Twenty-first+Century%3A+Interpretations.+Heidelberg%3A+Universitatsverlag+Winter&amp;qid=1580932439&amp;sr=8-1-fkmr1<\/a><\/p>\n<p>\u0160lapkauskait\u0117, R. 2018. \u201eLike being trapped in a drum\u201c: The Poetics of Resonance in Frances Itani&#8217;s <em>Deafening<\/em>. <em>Anglica: An International Journal of English Studies<\/em>, 27\/3, pages 201-232, University of Warsaw.\u00a0<a href=\"http:\/\/www.anglica.ia.uw.edu.pl\/images\/pdf\/27-3-SI-articles\/Anglica-27-3-10-Slapkauskaite.pdf\">http:\/\/www.anglica.ia.uw.edu.pl\/images\/pdf\/27-3-SI-articles\/Anglica-27-3-10-Slapkauskaite.pdf<\/a><\/p>\n<p>\u0160lapkauskait\u0117, R. 2018. \u201eMaterial Reflections: The Scope of Memory in Peter Carey\u2019s <em>Oscar and Lucinda<\/em>\u201e. In <em>History, Memory, and Nostalgia in Literature and Culture<\/em>. Newcastle: Cambridge Scholars Publishing.<\/p>\n<p>\u0160lapkauskait\u0117, R. 2017. The Material of Memory in Helen Humphreys&#8217; <em>The Lost Garden<\/em>. <em>TransCanadiana. Polish Journal of Canadian Studies\/Revue Polonaise d\u2019\u00c9tudes Canadiennes<\/em>. Vol. 2., University of Poznan, pages 238-253. <a href=\"http:\/\/www.ptbk.org.pl\/userfiles\/file\/TransCanadiana\/Transcanadiana_9_2017.pdf\">http:\/\/www.ptbk.org.pl\/userfiles\/file\/TransCanadiana\/Transcanadiana_9_2017.pdf<\/a><\/p>\n<p>\u0160lapkauskait\u0117, R. 2016. Reciprocity and Re-enchantment in Charles Simic\u2019s <em>Dime Store Alchemy. The Art of Joseph Cornell<\/em>. <em>Human in Literature and Culture: Interdisciplinary Perspective. Comparative Studies <\/em>Vol. VII (3), pages 167-179.<\/p>\n<p>\u0160lapkauskait\u0117, R. 2015. Et in Arcadia Ego: Memory, Mystery, and Mourning in J.L. Carr\u2019s <em>A Month in the Country<\/em>. <em>Re-Imagining the First World War: New Perspectives in Anglophone Literature and Culture<\/em>. Newcastle: Cambridge Scholars Publishing.<\/p>\n<p>\u0160lapkauskait\u0117, R. 2014. Intermedial Translation: The Gyrating Gaze in David Dabydeen\u2019s <em>Turner<\/em>. <em>European Journal of English Studies<\/em>, Volume: 18, Issue: 03, pages 316\u00a0\u2013\u00a0329, December.<\/p>\n<p>\u0160lapkauskait\u0117, R. 2012. \u2018An Oscilloscopic Machine\u2019: the Lens, the Image and the Canvas in Michael Ondaatje\u2019s<strong><em>\u00a0<\/em><\/strong><em>Running in the Family<\/em>. <em>Otherness: Essays and Studies,<\/em> 3.1<\/p>\n<p>\u0160lapkauskait\u0117, R. 2012. The Social, the Spectral and the Specular in Michael Ondaatje\u2019s <em>Running in the Family<\/em>. Rudaityte, R. (ed.) <em>Literature and Society<\/em>. Newcastle: Cambridge Scholars Publishing.<\/p>\n<p>\u0160lapkauskait\u0117, R. 2011. Story of Identity, Identity of Story: Hiromi Goto\u2019s <em>Chorus of Mushrooms<\/em>. Sojka, Eugenia and Tomasz Sikora (eds.) <em>Embracing Otherness. Canadian Minority Discourses in Transcultural Perspectives<\/em>. Torun: Wydanwnictvo Adam Marszalek.<\/p>\n<p>\u0160lapkauskait\u0117, R. 2011. Bears, Bodies, and Boundaries: Douglas Glover\u2019s <em>Elle: a novel<\/em>. Habegger-Conti, Jena (ed.) <em>Transnational Literature<\/em>, Vol. 4 no. 1.<\/p>\n<p>Some of my other publications may be accessed online:\u00a0<a href=\"https:\/\/vu-lt.academia.edu\/RutaSlapkauskaite\">https:\/\/vu-lt.academia.edu\/RutaSlapkauskaite<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Associate Professor, PhD E-mail: ruta.slapkauskaite@flf.vu.lt MotherNet Twinning Project: #MotherNetPersonal webpage:\u00a0https:\/\/rutowl.wordpress.com Outside of a dog, a book is man&#8217;s best friend. Inside of a dog it&#8217;s too dark to read. (Groucho Marx) Research interests (in no particular order): Literatures in English: Canadian, Antipodean (i.e. Australian, Tasmanian, and New Zealand), British, Irish, American Ecocriticism and Environmental Humanities [&hellip;]<\/p>\n","protected":false},"author":18,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":[],"_links":{"self":[{"href":"http:\/\/web.vu.lt\/flf\/r.slapkauskaite\/wp-json\/wp\/v2\/pages\/2"}],"collection":[{"href":"http:\/\/web.vu.lt\/flf\/r.slapkauskaite\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/web.vu.lt\/flf\/r.slapkauskaite\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/web.vu.lt\/flf\/r.slapkauskaite\/wp-json\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"http:\/\/web.vu.lt\/flf\/r.slapkauskaite\/wp-json\/wp\/v2\/comments?post=2"}],"version-history":[{"count":32,"href":"http:\/\/web.vu.lt\/flf\/r.slapkauskaite\/wp-json\/wp\/v2\/pages\/2\/revisions"}],"predecessor-version":[{"id":1443,"href":"http:\/\/web.vu.lt\/flf\/r.slapkauskaite\/wp-json\/wp\/v2\/pages\/2\/revisions\/1443"}],"wp:attachment":[{"href":"http:\/\/web.vu.lt\/flf\/r.slapkauskaite\/wp-json\/wp\/v2\/media?parent=2"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}